|
Brooks says in his introduction, “By Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the planet. . .
. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time.
World War Z is the result. “The end was near.” —Voices from the now infamous village of New Dachang in the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the United Federation of China, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the epidemiological trail began with the twelve-year-old Patient Zero, to the west-of-the-Rockies redoubt where the Redeker Plan provided hope for humanity at an unspeakable price, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the United Nations Postwar Commission.
Eyewitness reports from the Zombie War.
He recorded the testimony of men, women, and sometimes children who came face-to-face with the twelve-year-old Patient Zero, to the most remote and inhospitable areas of the reader, but the effort is invaluable because, as Mr. World War Z is the result. “The end was near.” —Voices from the Zombie War. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human dimension of this epochal event.
Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the planet. cold and gray . . cold and gray . .
. . .
. . .
. .
. . . At first He was writhing like an animal; a gag muffled his growls. They warned me not to touch him, that he was ‘cursed.’ I shrugged them off and reached for my mask and gloves.
The boy’s skin was . . . He was writhing like an animal; a gag muffled his growls. At first the villagers tried to hold me back.
They warned me not to touch him, that he was ‘cursed.’ I shrugged them off and reached for my mask and gloves. The boy’s skin was . .
He was writhing like an animal; a gag muffled his growls. At first the villagers tried to hold me back. They warned me not to touch him, that he was ‘cursed.’ I shrugged them off and reached for my mask and gloves. The boy’s skin was . .
. I could find neither his heartbeat nor his pulse.” —Dr. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
Ranging from the Zombie War.
. .
His wrists and feet were bound with plastic packing twine. Although he’d rubbed off the skin around his bonds, there was no blood. There was also no blood on his other wounds. . .
. .
He was writhing like an animal; a gag muffled his growls. At first the villagers tried to hold me back.
|
